Weegee [Arthur Fellig]

(Weegee [Arthur Fellig]: Drink Coca‑Cola)

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Weegee [Arthur Fellig] (U.S., b. Austria‑Hungary, 1899–1968)

Drink Coca‑Cola. c. 1950

Gelatin silver print

13 7/16 x 10 1/2 in. image size

Copyright Weegee / International Center of Photography / Getty Images

Henry Art Gallery, Joseph and Elaine Monsen Photography Collection, 2006.66

Weegee had a penchant for photographing morbid scenes. Drink Coca-Cola is a darkly humorous image that plays on his reputation for photographing death. This ambiguous image leaves the viewer unsure whether the subject is sleeping, unconscious, or possibly dead. The title ironically suggests that if the subject drank Coca-Cola instead of alcohol, he might not be in the situation that we find him in.

(Weegee [Arthur Fellig]: The Critic)

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Weegee [Arthur Fellig] (U.S., b. Austria‑Hungary, 1899–1968)

The Critic. 1943

Gelatin silver print

10 3/8 x 12 3/4 in. image size

Copyright Weegee / International Center of Photography / Getty Images

Henry Art Gallery, Joseph and Elaine Monsen Photography Collection, gift of Joseph and Elaine Monsen and The Boeing Company, 97.184

Part of what makes Weegee’s images such enduring icons of street photography are the contradictions he captures and forces viewers to confront. The Critic is an illustration of privilege in the midst of poverty. Weegee creates a dialogue of extremes within his photographs, sharp contrasts between haves and have-nots. Two women enter the Metropolitan Opera - their bright white furs are illuminated by Weegee’s bare bulb flash, contrasting sharply with an onlooker’s dark, worn-out jacket.